Scott Miller
THE HIT HOUSE Creative Director/Owner
Supreme Overlord
DOES IT MAKE A SOUND? IF SO, CHANCES ARE SCOTT CAN PLAY IT AND YOU’VE HEARD IT ON OUR ALBUMS.
Within the lesser known religious sects of Johannesburg, there is lore passed from generation to generation. It speaks of a Demigod in human form who holds dominion over sound with equal parts music, mischief and vodkacokes. A Treble and Bass forged South African Loki if you will. He may compose you a symphony, he may tie your shoelaces together, or he may be sleeping off a wicked hangover.
Born in the rain gutter of some dark alley in London. Barely contained and educated in the meanest South African boarding schools for wayward misfits. Rumored to have escaped the Conservatoire of Music in Pretoria out of sheer boredom. Said to have swum to the Music Institute in Los Angeles on a dare.
You can fear him. You can Respect Him. You can…call him Scott.
He is The Hit House’s musical Messiah, our overtone Overlord, our sonic Superior. He commands an army of talented minions and there is not a chord, note, lyric or snapchat that leaves our borders without his approval. Google, Marvel, Star Wars, Playstation, Bethesda and DC Comics have all been granted the honor of his custom score mastery. His original songwriting prowess is featured en masse via spots for Netflix, HBO, Sony, and countless other impressive sounding corporations. The Grateful masses heap idols of praise upon his Shrine including 3 Clios for Video Game trailer music, Golden Trailers for best original score and literally 1 or 2 more.
You will never contain him. You will never understand him (mostly because of the accent). But if you are lucky, one day, he may answer your campaign’s prayer in song. You will say thank you. You will pay him. You will not be insulted when he spends that money on cool stuff for his bike.
